Barbra Streisand made her directorial debut with this 1983 adaptation of the Isaac Bashevis Singer story about a young Eastern European woman (Streisand) who disguises herself as a male at the turn of the century in order to get an education. Except for an excessive musical score with too many songs and Streisand's tiresome tendency to play characters who suppress their beauty, the film is crisp and engaging, and the gender-bending love story complications are fun, if gimmicky. Streisand gives a smart, vulnerable performance and gets fresh work from costars Mandy Patinkin and Amy Irving. --Tom Keogh
The music is glorious and the story is timeless. This is an intelligent movie. There is a unique quality to the way the film was made by which it seems there is more story telling through the music than the dialogue. It's a lovely way to absorb the story, with your gut rather than your cerebellum.
I watched it again about a month ago, and the strains of the "klesmer" music had me in tears. Minors, 7ths, flats -- flat minor 7ths! Heart wrenching, transcendent, other worldly.